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This autumn the Trust held a highly successful poetry competition superbly organised by Irene Campbell, one of our trustees. The aim was to encourage creativity in the spirit of William Blake and draw attention to the highly productive years he and his wife Catherine spent in Felpham at the start of the nineteenth century. There were 32 splendid entries – one was even sent in from Norway!
The competition culminated in a very enjoyable evening on 3rd December, hosted in the Bognor Regis Library. The author Simon Brett was master of ceremonies for the night. There were contributions from two people who are doing much to promote the memory of Blake ahead of his bicentenary in 2027. Local Blake expert Rachel Searle talked about the Blakes’ time in Felpham and Doug Nicholls, Chair of the Trust, told the audience about the work currently taking place to renovate the cottage in which the Blakes lived. The actor, Jean Rogers read from Blake’s Auguries of Innocence, and the 6 shortlisted entries, before the three winners were presented with their prizes. (The 3 winning entries and the 3 runners up are printed below.)
Seated L to R: Simon Brett, Rachel Searle, Doug Nicholls, Jean Rogers. Standing: Irene Campbell, Ken Blamires
by Galdor se Scop
From London's smoke and dark despair,
I fled to breathe a sweeter air.
To Sussex fields, where Felpham lies,
Beneath the vast and watchful skies.
No 'chartered street' the eye did see,
But Eden's wall, or so seemed me.
A cottage small, a garden bright,
Bathed in simple, southern light.
The sea did moan upon the sand,
Where England’s pastures gird the land.
And in that sound, a whisper deep,
Of souls that wake, and souls that sleep.
I walked the shore at evening's gleam,
And saw a vision, or a dream.
Not Urizen's cold iron law,
But forms of beauty that I saw.
The sun, a flaming cherub high,
Did light the spirit's inner eye.
The moon, a pale and silver thought,
The mysteries the ages brought.
The nightingale from heaven sprung,
His joyful hymn for truth has sung.
The rose, upon its thorny stem,
A living, breathing, diadem.
But lo! A shadow, cold and vast,
From Satan’s forge, its shape has cast.
For even here where peace should dwell,
The serpent whispers from his cell.
The spectre of the age's fear,
Did rise and strive to draw me near.
To bind the soul in chains of doubt,
And blot the sacred fires out.
O Felpham, hold your gentle sway,
And chase the swicol far away!
Let Imagination, strong and free,
Restore the lost eternity!
For heaven is here, and hell is too,
In all we think and all we do.
And every grain of golden sand,
Contains the secrets of the land.
Jill Palmer receives her prize from Doug Nicholls
By Jill Palmer
Blake left his cottage for a walk,
His heart was heavy, footsteps slow,
His sharp mind blurred and clouded,
In melancholy, spirits low.
Lamenting creativity,
Crushed by the mills of education,
And workers spending lives untouched,
By their divine imagination.
Even children toiled, underfed,
Minds shackled so they can’t begin,
To cease their hunger’s constant cry
And reach the greater life within.
Then on his path he came upon,
A thistle he had met before,
One that he had argued with,
And found an aggravating bore.
‘William Blake,’ the thistle said,
‘From your countenance, I see you mope,
Look yonder there along the shore,
And what you see may bring you hope.’
And beyond the thistle’s prickly head,
White domes rose like clouds on high,
Topped with brightly shining spears,
Reaching into Bognor’s sky.
And beneath them lay a paradise,
Of sound and colour by the sea,
With fountains, feasts and carousels.
A place of such divinity,
Where England’s workers could relax,
And take a break from earthly state,
Unencumbered by their daily strife,
And leave Urizen at the gate.
There, music such as never heard,
Pulsating with hypnotic beat,
Would bring them close to ecstasy,
As it entered through their feet.
Children’s minds could come to life,
As the gnaw of hunger ceased,
They would laugh and play and swim,
All their tethered thoughts released.
Their eyes would feast on such delights,
And angels would enrich their soul,
Bringing to them them love and joy,
In the form of ‘Paw Patrol’.
So, Blake wandered through the vision,
Of this England so desired,
His mind’s eye full of sights, smells, sounds,
Creative inspiration fired.
And he could see the nation’s mind,
Unchained in this promised land,
The prospect filled his heart with joy,
Until it faded into sand.
Now knowing what could come to pass,
At this place on Felpham’s shore,
Blake turned for home, his spirits raised,
His footsteps lighter than before.
Later, writing poetry, the
Strange word ‘Butlins’ filled his head,
But it didn’t fit the line so,
He used ‘Jerusalem’ instead.
By Mary Halpin
And didst thou leave the dungeon dark
Bearing sand and sparks of fire;
And could thy bow of burning gold
Find that gate open to desire?
And didst thou find a place of joy
Among the birds and fields of grain;
And were sweet voices raised in song
As thou strolled through old Felpham's lanes?
Oh if I could but sail through time:
Thou a stout captain at the helm;
Or walk with thee to quaff an ale
Or find thee deep in poesy's realm
I scour the shore by leaden waves
I search our streets in vain for thee;
Yet left behind is such a mind
As England ever hopes to see.
By Khudeeja Begum
O London’s river, darkly crowned with fire,
Thy bridges span the bones of sleeping years—
Where whispers of the prophets still aspire,
And angels wade through humanity’s tears.
In cobblestone light the spirits gleam,
Forged from labour, dream by dream;
While iron hearts in taverns low
Beat molten hymns the heavens know.
A child I saw beneath the hill,
His breath a gleam, his eyes the will
Of long-dead saints who strove for grace,
And read God’s fury on man’s face.
He spoke: “The lamb and lion bleed,
That wisdom’s star may intercede.”
And lo, the sky in rust unrolled,
Where dawn was burning, fierce and cold.
Might not the poor soul, crushed in clay,
Sing brighter than the golden day?
For truth is forged in shadow’s cave,
And tyrants tremble at the grave.
The beggar’s cup, the widow’s sigh,
Are censers to the sceptred sky.
In every soot-black street there gleams
The angel of the people’s dreams.
O Blake! thou hammer of celestial flame,
Who saw through pallid flesh the Name—
Return, return, thy children cry
Amid the wheels that choke the sky.
The Thames still weeps its silver prayer,
Through iron dust and poisoned air;
Yet in each brick and burning spire,
Lurks vision’s spark, Devotion’s fire.
For where the sun on St. Mary’s reigns,
I hear the choir through factory chains;
And though the bankers build of gold,
Their towers crack, their hearts grow cold.
But in the singer’s trembling throat,
Eternal melodies still float:
The Lamb is risen, the Tyger roars—
And creation breaks its prison doors.
O England, forge thy soul anew,
Not in iron, but in dew;
Let every street become a star,
Each life a blazing avatar.
When heaven’s gate at dawn is flung,
Let Justice rise with radiant tongue;
Then Man and God, through night and fire,
Shall fuse again in one desire.
By D J Elliott
William Blake was ironic yet serious
As he sang & painted the mysteries.
He was told by angels to listen to God
But he had already seen him when a tot.
Blake searched for ancient truths & golden times
He found the answers in his mind.
He had one foot in this world
The other stood in the spiritual realm.
He talked to his beloveds all the time
No matter whether they were dead or alive.
Blake painted & etched
And wrote poetry & prose whilst he sketched
Biblical scenes & historical encounters
He made into art whilst he sat at the counter.
Visions of his dead brother Robert
Taught him to etch proper.
With a mirror backwards he learnt to write
So that his etching came out just right.
He didn’t believe in a natural religion
Yet he was god-fearing.
Blake produced illuminated books about the soul,
Spirit & mankind’s ultimate goal.
Blake created a system so that he would not be a slave
To any other man’s belief in a deity or way.
He believed himself a spirit of prophecy
Looking for innocence amongst the cacophony.
And as his feet walked the streets of London
The paves became Jerusalem.
He opened the gates of Paradise
To find that it was now Hell & full of vice.
He believed in Liberty,
That every man, woman & child should be free,
Free to sing & free to dance
Blake liked to hear the children laugh.
For everything that lives is holy
And to Blake life should be holy.
But he saw the torment & pain
As he walked London’s lanes.
Blake protested with rhyme & verse
And pictures to explain his universe.
Stubborn in his thoughts & obsessive in his work
He came across as a bit berserk.
He wrote the marriage of heaven & hell
And cast young Catherine under his spell.
So William Blake used his imagination
And gave us songs of experience
As he travelled in his mind
And wrote a new bible
On the creation of mankind.
To see & behold his wonderful art
To hear his words of light & dark
William Blake & his visionary prose
William Blake the English rose.
By Stephen Micalef
The ghost of Milton drinks still
at the Fox Inn and wanders round Felpham -
I see him kiss Ololon in the church graveyard
and standing under the old quince tree on Hayley’s
lawn by the ornamental pond -
I see him standing on Hayley’s horse mount
at the Turret’s gate
waiting for a groom to bring Alphonso’s pony Bruno
to ride quixotic to the mountains of Jerusalem -
Sometimes he looks like Blake himself
staring into the apocalypse of the sea
seeing the Beast rise -
In calmer weather
I see him bending down
gathering angel wings on the seashore
and staring at the psychedelic atoms
of glinting sunlight
forming the Albion of us all -
And now Milton’s ghost - or is it Blake’s -
huddled into the corner of the Fox Inn
And now angry red faced Schofield’s
staring in at the pub window
banging and shouting
I’ll get you Blake!
You dirty rotten military painter!
Your time is up!
But Blake’s Time is never up
Immortality is only just beginning.